CAVEATS & COMPLAINTS
BY DANIEL McCASOWAY
SELECTED FRAGMENTS





9

Just a little feeling
on an average day -
the kind that sparrows have
toward the end of May.

13

Are we possibilities emphasized by infinity,
or are we certainties adrift in emptiness?

24

Sparrows dip when the wind is crisp.
Larks rush straight on through.
Hawks ponder ere they risk.
Doves are content to coo.

35

Sunrise of my heart –
sunset of my soul,
midnight of despair.
I cannot sleep.
A fire burns within.
My battle is fire.

38

Some odd, glorious illness
or visceral hesitation browses
amid my curious passions,
caught in the turbulent swirl –
the supple current
about her velvet cape,
bending there o’er each vale
and promontory, doubt lulls
as my torch cuts on into the fog.





42

The metallurgists forged her golden heart.
Angels built her wings.
Her radiance lights my dimmest reaches,
her incense triggers electric sparks
at every outpost of my soul.

48

I was an eagle once, I’m sure.
I remember the feel of the air -
the subtle musk of blood-soaked hair.
My grip was death.
Now life slips away so leisurely.

49

I watched the clouds today -
in a movie that made me cry.
They were just like the clouds we have.

63

There was ice over there -
and all the colors came.
Words, screeching words -
each without a name.

70

O’ how warmer mercy seems somewhere else -
we took time to mete its suffering more slowly.
Yet we never knew what time might take.





76

Somebody bumped into this place.
We saw where they came through -
but we did not see them.
(It was us.)

81

Madness seems imminent today.
Peace, an unquantified property -
stillness sits someplace else.

84

A city of poets - dreamers within a dream -

98

Rain needs the soil to want it -
so clouds must tease the earth
with their rude, foggy foreplay.

100

Let my poets go!
Tear down this wall!

101

To know what takes us someday -
to hear rain nudge the timid night -
to see the reasons some men dim.

103

I have my limits -
yet there are the infinities.

118

Fibers of me - broken, frayed fibers.
The lines on her face were a map to Hell.

124

Whose futility am I living now?
Shoot us both.





128

She cut my heart out -
just like she said she would.
I suppose that’s what happens
when a cadaver loves a surgeon.

143

Each of us knows an evil.
It’s okay to speak on the street -
but never go for a ride in the convertible.

147

Send in the prophets -
the future is coming early.

157

Secrets seem to share an address.
This was the house that held my closets.

173

They asked me if I ever killed a man.
I told them the truth.
They let me go.

177

I was a word uttered once by her -
there’s a sound in the Sun’s rays:
it was like that.
She talked about the City of Rainbows
like she had been there. She used my word
in this speech.
Does anyone hear the silence
of these eternal last days?

180

Words speak to each other in our minds.
They are the ideas.
We are the armatures they animate.

190

A breath between papers:
we are the words.

205

We all see traces -
some are the size of a universe.

214

Her long August showed me
how summer is merely a hastening match
in the winter’s steady breeze.

222

There is a ghost in here.
It is us.

223

The gentle patter of 9-millimeter on the roof
can provide a certain calming effect.
But sometimes a siren triggers old rage.
I felt her heart pounding through the bullet-proof glass.

224

If we weren’t here, would we know it?
Yes.
Because if we couldn’t,
we wouldn’t know we aren’t everywhere.

227

She read me to a muttering crowd.
But just hearing me in her voice was all that mattered.

228

There will be other pages -
and they’ll write themselves -
just like ours did.

229

We spread our poison, sure,
but name a rat-killer who doesn’t.

236

There are voices in here.
I merely have to find some
who don’t mind being heard.

242

Some incense seems,
seems like the times I dreamed -
dreamed of her.





252

He was one of the damned nomads
nobody ever remembered.

253

I didn’t want to be written this way -
there’s some of us you’ll never write.

254

Human Nature urges gestures to Her.

258

we confine
big ideas
poverty
they took our days
a sprained heart
silence
some calm
blades, many blades
I don’t know why either

259

we wept as we waited
and then the fall came
there is no reverse in this chariot

261

We were the nobodies
that they left behind.

262

Somewhere between these rooms,
at the surface of a thought,
I become me by speaking to myself.

266

I keep dreaming I’m reaching out.
It’s a futility peculiar to amputees.

268

ribbons of fear
welcome to the highway world
nobody seems to know
what's getting cut
out here on the cutting edge
if you don't like it here
just stand still
nobody can live on the cutting edge
houses can't have feet
the anger and fatigue
of bones bent backwards
photos of a rat box
a standard of absurdity
you can't go home
when you're always there





272

we are the nuclei
there is no redemption
each tick of a clock
every beat of a heart
is a hammer blow
with its own serial number
that leaves a permanent scar
with its own serial number

281

both are in here, I know that now
but thank-God I’m the one who speaks

283

Coil of despair,
a return of old things,
three windy nights in a row.
If there was a wonder
then it is here.
Something about the quiet now –
the play of weeds along the road.
Out here all alone
and don’t matter.
Let this go west.
Help the wind sing,
cold, restless moon.

289

How many are we left over from?

294

we hated people who hated themselves
and they hated us

297

we’re somebody’s things
that got away



Where are you Daddy?
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Thank you for visiting this website.
Comments and questions are welcomed.
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Please contact Mr. McCasoway at the email address below:
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daniel@mccasoway.com
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Images courtesy of Ernest Orlando Lawrence Berkeley National Laboratory,
U.S. Farm Security Administration Office of War Information, U.S. National Archives,
Agent Otto, Mr. Pharr, Paul Dean Hodge, WDCWPAS, and the McCasoway Foundation.
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This website is intended for scientific and educational purposes only. The
characters, incidents, names, objects, and places portrayed on this website are
used fictitiously or are products of the author’s imagination. Any resemblance
to actual events, locales, or persons, living or dead, is entirely coincidental.
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